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NEW THIS WEEK
Assassination Nation 5
Fahrenheit 11/9 4
Road Not Taken, The 4
House With A Clock In Its Walls, The 3.25
Great Battle, The 3
Life Itself (2018) 1
Colette rate me!
Love, Gilda rate me!
Garry Winogrand: All Things are Photographable rate me!
Pagan King, The rate me!
American Dresser rate me!
Sisters Brothers, The rate me!
ALSO IN THEATERS

COMING NEXT WEEK
28-Sep Bad Reputation
28-Sep Cruise
28-Sep Golden Job
28-Sep Hell Fest
28-Sep Little Women (2018)
28-Sep Monsters and Men
28-Sep Night School (2018)
28-Sep Old Man & the Gun, The
28-Sep Padre, The
28-Sep Smallfoot
28-Sep Summer '03
28-Sep Trico Tri Happy Halloween

DVD RELEASES
25-Sep Gotti  
25-Sep Solo: A Star Wars Story  

TOP 5
MOVIES IN RELEASE
TITLE RATING
Won't You Be My Neighbor? 5
Mandy 5
Most Beautiful Island 5
Fantastic Woman, A 5
Detective Dee: The Four Heavenly Kings 5

BOTTOM 5
MOVIES IN RELEASE
TITLE RATING
Christopher Robin 1
211 1
Life Itself (2018) 1
Race 3 1.86
Europe Raiders 2

2012 Tribeca Film Festival MOVIES
TITLE RATING
Keep the Lights On 3
Deadfall (2012) 2
Side by Side 3.86
Marvel's The Avengers 4.3
As Luck Would Have It (2013) 4.14
MORE MOVIES

2013 Fantasia International Film Festival MOVIES
TITLE RATING
Big Ass Spider! 4
After School Midnighters 3
Son of Sardaar 4
Tiger Mask, The 3
OXV: The Manual (aka Frequencies) 4.88
MORE MOVIES

2013 Toronto International Film Festival MOVIES
TITLE RATING
Touch of Sin, A 5
Joe 4.5
Philomena 4.17
Blue Ruin 4.44
Oculus 2.8
MORE MOVIES

2013 New York Film Festival MOVIES
TITLE RATING
Immigrant, The 4.23
Inside Llewyn Davis 4.36
Stray Dogs (2013) 2
Nebraska 3.63
Le Week-End 3.71
MORE MOVIES

2013 Chicago International Film Festival MOVIES
TITLE RATING
Le Week-End 3.71
Despite the Gods 4
Cheap Thrills 3.25
Nebraska 3.63
Heli 4
MORE MOVIES

2016 Sundance Film Festival MOVIES
TITLE RATING
Outlaws and Angels 4.88
Green Room 3.5
Love & Friendship 4.46
Certain Women 4.14
Eyes of My Mother, The 3
MORE MOVIES

2016 Slamdance Film Festival MOVIES
TITLE RATING
Embers 4.14
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2016 Boston Sci-Fi Film Festival MOVIES
TITLE RATING
High Treason 4.14
Man Who Fell to Earth, The 4.6
Idiocracy 4.21
They Live 3.6
Skyquake 2
MORE MOVIES

2018 Slamdance Film Festival MOVIES
TITLE RATING
Human Affairs 5
Circus Ecuador 5
MexMan 4
My Name is Myeisha 4
MORE MOVIES

2018 Sundance Film Festival MOVIES
TITLE RATING
Three Identical Strangers 3.29
Arizona (2018) 2.86
Beast (2018) 3
Leave No Trace 4.86
You Were Never Really Here 4.5
MORE MOVIES

2018 SXSW Film Festival MOVIES
TITLE RATING
Damsel 3
Isle of Dogs 4.5
First Reformed 5
What Keeps You Alive 4
Hearts Beat Loud 2.43
MORE MOVIES

2018 Chicago Critics Film Festival MOVIES
TITLE RATING
Bodied 5
Eighth Grade 4
Damsel 3
Madeline's Madeline 3.5
Beast (2018) 3
MORE MOVIES

2018 Fantasia International Film Festival MOVIES
TITLE RATING
Blonde Fury 3
Profile 3
Amiko 4
Five Fingers for Marseilles 3
True Fiction 4
MORE MOVIES

2018 Toronto International Film Festival MOVIES
TITLE RATING
Assassination Nation 5
Predator, The 3.11
Fahrenheit 11/9 4
Life Itself (2018) 1
White Boy Rick 3
MORE MOVIES

2018 Chicago International Film Festival MOVIES
TITLE RATING
Piercing 3
MORE MOVIES

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Total Reviews: 27976
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LATEST REVIEWS
MANDY
"It'll blow your hair back, man"
5 stars
Rob Gonsalves says... "Roger Ebert’s most enduring maxim, perhaps, is this: “It’s not what a movie is about, it’s how it is about it.”" (more)
ROAD NOT TAKEN, THE
"Not-quite-crime drama."
4 stars
Jay Seaver says... ""The Road Not Taken" is one of those indie movies that could get filled under "crime" even though it isn't, really, but there's enough crime in it that if you want to push it as something of interest to more than just art-house audiences, you can fit it. It's more a story of a loser who winds up in the middle of a bunch of criminals and kind of floats through that situation for a while, at least until the filmmaker wants to end things. It's pretty decent, as those things go, giving you the good naturalistic acting and peeks at people just getting by you might not find in the crowd-pleasers, especially from China." (more)
GREAT BATTLE, THE
"At the very least, a pretty good battle."
3 stars
Jay Seaver says... "Somewhere in the middle of "The Great Battle", I felt like I'd reached the point where these medieval Asian war movies just blur together. There was a heck of a battle going on, and I was duly impressed, but sort of felt like I was killing time. I'd seen the flights of arrows, the whirling swordsmen, the bickering lieutenants, the warrior princess, all in speed-ramped slow motion, and though this was pretty good it didn't really have anything new or astounding. It scratched an itch, no question, but could it do more?" (more)
PICK OF THE LITTER
"Very good dogs."
3 stars
Jay Seaver says... "The description for "Pick of the Litter" talks about following five puppies on "their quest to become guide dogs", but it's important to remember that they're puppies; if they have a quest, it's for scratches on their heads and treats in their bellies, with scratches on their bellies also very welcome. It can sometimes make for an odd experience for the audience, as it can sometimes be hard to keep one's eyes on the long-term goal." (more)
FAHRENHEIT 11/9
"Near-Death Of A Nation"
3 stars
Peter Sobczynski says... "When Michael Moore sits down to make a movie in which he has a clear and specific topic that he wants to deal with—the economic devastation of his hometown of Flint, Michigan (“Roger & Me”), the culture of fear in America that has led to the proliferation of guns (“Bowling for Columbine”), the people that took advantage of the horror of 9/11 to advance their own agendas (“Fahrenheit 9/11”), the inequities and failure of the American health care system (“Sicko”)—the results have been some of the most powerful and provocative documentaries of this era. However, when he has gone into projects that didn’t have such a specific target that he could focus on with laser-like precision, as was the case with “The Big One,” “Capitalism: A Love Story” and “Where to Invade Next”—the results have been far more scattershot with his obvious passion and purpose crossing the line into outright hectoring. Oddly enough, his latest film, “Fahrenheit 11/9,” seems to be a combination of both of Moore’s usual approaches. On the one hand, a large part of the film feels curiously unfocused as he veers from topic to topic like a TV news program that is desperately afraid of losing the attention of the viewers for even a second. At the same time, a couple of the numerous narrative threads running through the film are so strong and powerful that they dominate the proceedings to the point where many viewers will find themselves wondering why Moore didn’t just center the film on those particular topics in the first place." (more)
HOUSE WITH A CLOCK IN ITS WALLS, THE
"An Eli Roth Film. You Know--For Kids"
4 stars
Peter Sobczynski says... "“The House With a Clock in Its Walls” is a film that contains any number of unexpected sights—ranging from the dead rising from the grave to Cate Blanchett zapping a collection of evil pumpkins into goo with the help of a trusty magic wand—but the most astonishing one of them all comes right at the beginning when it is revealed that this PG-rated throwback to the fantasy films of the 1980s that Steven Spielberg used to oversee through his Amblin Entertainment production shingle was directed by none other than Eli Roth, the auteur of such savagely violent horror films as “Hostel” and “The Green Inferno.” However, my surprise is not due simply because of the notion of a guy known for making gory exploitation films now making something for a younger audience—after all, Joe Dante started out doing things like “Hollywood Boulevard” and “Piranha” for Roger Corman before moving on to the likes of “Gremlins,” “Explorers” and “Innerspace” back in the day. No, my surprise is due to the discovery that Roth, who in the past has demonstrated himself to be a monumentally clumsy and lazy filmmaker whose works have essentially served as the cinematic equivalent of a kid repeatedly showing you his chewed-up food at the dinner table, has actually made a halfway decent film for the first time in his career, a goofy horror-comedy that demonstrates far more wit and style in any given scene than he has been able to muster up in any of his previous efforts." (more)
LIFE ITSELF (2018)
"Even Mikey Would Find This Impossible To Swallow"
1 stars
Peter Sobczynski says... "When I first encountered the trailer for “Life Itself” a few weeks ago, it looked liked such a gauche and gimmicky piece of would-be Oscar bait that I was almost willing to give it the benefit of the doubt that it was an original and ambitious work that had been artlessly reduced to a couple of minutes of seemingly random moments by a studio marketing department that has no idea of how to properly introduce it to the public. After premiering at the Toronto FilmFestival a couple of weeks ago, I spoke to a couple of colleagues who saw it there who hastened to assure me that no, it really was just as bad as the trailer made it look. Once again, I was kind of willing to give it the benefit of the doubt since festival reactions tend to be the hottest of hot takes and the more extreme positions, both pro and con, should probably be taken with the proverbial grain of salts. However, now that I have finally seen “Life Itself,” I can assure you that both my initial impression of the trailer and the comments of my colleagues were both spot on as it truly is one of the smarmiest, stupidest and most hollowly manipulative films that I have ever seen in my life. This is a film that has been custom-designed to give viewers all of the feels and jerk as many tears as allowed by law but the only thing I felt while watching it was utter contempt and the only authentic tear that I shed was the one that came when I looked at my watch after it had been playing for what felt like four days and discovered that there was still about an hour left to go." (more)
PREDATOR, THE
"Another decade, another Predator."
3 stars
Jay Seaver says... ""Predator" had no business spawning a franchise at all, and yet Twentieth Century Fox keeps trying because, while there's nowhere to take it without losing the sheer 1980s muscle-headed appeal of the original film, it's just too damn merchandisable. So roughly every ten years the try again, and it's not like they don't give it their best shot, but digging deeper into the mythology behind a dumb action movie is something of a fool's errand. This attempt to do so is pretty capable, in a disposable-paperback way, but even by those standards could have been more." (more)
MORE REVIEWS

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by Peter Sobczynski
"An overview of this year's installment of the 70mm Film Festival, running September 14-27 at Chicago's beloved Music Box Theatre." (more)
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