| NOW SHOWING |
| TITLE |
RATING |
| $ellebrity |
rate me! |
| 1st Night |
rate me! |
| 20 Feet From Stardom |
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| 33 Postcards |
rate me! |
| 56 Up |
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| 6 Souls |
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| Admission |
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| After Earth |
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| Aftershock (2013) |
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| American Mary |
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| And Now a Word from Our Sponsor |
rate me! |
| Andre Gregory: Before and After Dinner |
rate me! |
| Apostles of Comedy: Onwards and Upwards |
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| As Cool As I Am |
rate me! |
| As Luck Would Have It (2013) |
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| At Any Price |
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| Augustine |
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| Aurangzeb |
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| Barbara |
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| Becoming Traviata |
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| Before Midnight |
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| Berberian Sound Studio |
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| Between Us |
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| Beyond The Hills |
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| Bidder 70 |
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| Big Wedding, The |
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| Black Rock |
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| Blancanieves |
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| Bless Me, Ultima |
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| Bling Ring, The |
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| Call Me Kuchu |
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| Caroline and Jackie |
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| Cinco de Mayo, La Batalla |
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| Closed Circuit, The |
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| Company You Keep, The |
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| Croods, The |
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| Deceptive Practice: The Mysteries and Mentors of Ricky Jay |
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| Desperate Acts of Magic |
rate me! |
| Detour (2013) |
rate me! |
| Disconnect |
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| Doin' It In The Park: Pick-Up Basketball, NYC |
rate me! |
| Dying to Do Letterman |
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| East, The |
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| Eddie: The Sleepwalking Cannibal |
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| Eden (2012) |
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| Elza |
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| End of Love, The |
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| English Teacher, The |
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| Epic |
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| Erased |
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| Everybody Has a Plan |
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| Evocateur: The Morton Downey Jr. Movie |
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| Far Out Isn't Far Enough: The Tomi Ungerer Story |
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| Fast and Furious 6 |
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| Festival of Lights |
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| Fierce Green Fire, A |
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| Fill the Void |
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| Finding Joy |
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| Fists of Legend |
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| Frances Ha |
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| Free China: The Courage to Believe |
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| Fukrey |
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| Genius On Hold |
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| Gimme the Loot |
rate me! |
| Go Goa Gone |
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| Graceland |
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| Great Gatsby, The (2013) |
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| Greedy Lying Bastards |
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| Green Story, A |
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| Guillotines, The |
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| Hangover Part III, The |
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| Hannah Arendt |
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| Happy House, The |
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| Hatchet III |
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| Hating Breitbart |
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| He's Way More Famous Than You |
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| Herman's House |
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| Hey Bartender |
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| High Tech, Low Life |
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| History of Future Folk, The |
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| Home Run |
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| Horrid Henry: The Movie |
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| House I Live In, The |
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| Hunky Dory |
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| I Do |
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| In The House |
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| InAPPropriate Comedy |
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| Inescapable |
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| Internship, The |
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| Into the White |
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| Iron Man 3 |
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| Java Heat |
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| King Kelly |
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| Kings of Summer, The |
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| Kon-Tiki |
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| Least Among Saints |
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| Lesser Blessed, The |
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| Let Fury Have the Hour |
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| Like Someone In Love |
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| Lords of Salem, The |
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| Lotus Eaters |
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| Love is All You Need |
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| Lunarcy! |
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| Man of Steel |
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| Mea Maxima Culpa: Silence in the House of God |
rate me! |
| Middle Of Nowhere (2012) |
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| Midnight's Children |
rate me! |
| Mistaken for Strangers |
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| More Than Honey |
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| More Than Money |
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| Mortem |
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| Much Ado About Nothing (2012) |
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| My Brother the Devil |
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| Nancy, Please |
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| New Jerusalem |
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| New World (2013) |
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| No One Lives |
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| Now You See Me |
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| Oconomowoc |
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| Otelo Burning |
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| Outside Satan |
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| Oversimplification of Her Beauty, An |
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| Pain and Gain |
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| Painting, The |
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| Peeples |
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| Penguins 3-D |
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| Pieta |
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| Ping Pong |
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| Place at the Table, A |
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| Prey, The |
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| Prosecution of an American President, The |
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| Purge, The |
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| Pusher (2012) |
rate me! |
| Pussy Riot: A Punk Prayer |
rate me! |
| Rambler, The |
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| Rapture-Palooza |
rate me! |
| Reality |
rate me! |
| Red Flag |
rate me! |
| Released |
rate me! |
| Renoir |
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| Resolution |
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| Resurrection, A |
rate me! |
| Room 237 |
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| Rubberband Is an Unlikely Instrument, A |
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| Rubberneck |
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| Sapphires, The |
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| Sassy Pants |
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| Scary Movie 5 |
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| Scatter My Ashes at Bergdorf's |
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| See Girl Run |
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| Shadow Dancer |
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| Sightseers |
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| Silver Circle |
rate me! |
| Simon and the Oaks |
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| Simon Killer |
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| Sirius |
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| Something in the Air |
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| Star Trek Into Darkness |
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| Starbuck |
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| State 194 |
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| Stories We Tell |
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| Storm Surfers 3-D |
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| Story of Luke, The |
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| Stroller Strategy, The |
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| Sun Don't Shine |
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| Syrup |
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| Tai Chi Hero |
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| This Ain't California |
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| This is the End |
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| Tiger Eyes |
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| Triumph of the Wall |
rate me! |
| Unmade in China |
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| Vanishing Waves |
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| Vehicle 19 |
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| Venus And Serena |
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| Violet & Daisy |
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| Violeta Went to Heaven |
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| Wall, The |
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| War of the Buttons |
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| We and the I, The |
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| We Steal Secrets: The Story of WikiLeaks |
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| West of Memphis |
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| What Maisie Knew |
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| Wish You Were Here (2012) |
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| MAN OF STEEL |
"SnyderMan Returns"
Daniel Kelly says... "Chris Nolan has enjoyed a tremendous amount of success in the DC Universe, taking one of their biggest characters and morphing him into a cinematic demi-god, his Batman pictures climaxing last year with the fittingly epic “The Dark Knight Rises”. Clearly wanting to step-back but not utterly abandon the world of comic-book literature, Nolan has opted to act as a producer and creative driving force on “Man of Steel”, the latest attempt by Warner to turn Superman into a viable contemporary franchise. Last time it didn’t go over so well, 2006’s “Superman Returns” was a giddy blockbusting experience, but a box-office chump – killing off any Krypton inspired frolicking for nearly a decade. It’s strange whom Nolan has elected to spearhead this rebirth, Zach Snyder, a man last seen frying brain cells and testing society’s patience with rubbishy passion project “Sucker Punch”. Snyder has dabbled in the world of superheroes before; 2009’s “Watchmen” remains the zenith of his directorial achievements by some margin, but the rest of his catalogue including homoerotic touchstone “300” have been dispiritingly hollow affairs. It’s not surprising to see Snyder slather “Man of Steel” with his usual creative deficiencies, allowing character, dialogue and narrative to wilt under the overbearing heat of his cartoony and juvenile fascination with overwrought action. I expect Chris Nolan’s ambitions were probably noble – but nobility counts for very little when envisioned through Snyder’s pre-pubescent mind-set. “Man of Steel” is a fetid creation; dull, excruciatingly overlong and inexcusably dumb." (more)
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| MAN OF STEEL |
"Plot of Kleenex."
Rob Gonsalves says... "If we’re keeping track, the real meat of "Man of Steel" comes about an hour and a half into it — the public and massively destructive face-off between Kal-El, or Superman (Henry Cavill), and some evil emissaries from his dead home planet Krypton." (more)
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| MORE THAN HONEY |
"It's all of our beeswax."
Jay Seaver says... "Many potential audience members will see a preview for Markus Imhoof's documentary "More Than Honey" and perhaps wonder if it has anything particularly new to tell them; we learn about bees and their symbiotic relationship with the local flora in elementary school science class and it's not that hard to grasp. As it turns out, the details can be surprising, and Imhoof presents them in a wonderfully vivid way." (more)
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| MAN OF STEEL |
"Clark Kent begins."
Brett Gallman says... "When we last saw Superman on the big screen, Bryan Singer was pondering if the world still needed him, and the seven years since have only made it clearer that the answer should be a resounding “yes.” Not only has our world become more tumultuous, but so too has our cinematic landscape come to resemble the worst bits of the evening news blown up to apocalyptic proportions. Even our definitive superhero film, Christopher Nolan’s “The Dark Knight,” is awash in post-9/11 moral ambiguity and a dour disposition. With Nolan moving over to shepherd Superman back to the big screen in “Man of Steel,” it’d be easy to assume that The Last Son of Krypton might be set to bear the cross in another angst-ridden interpretation of the character. Instead, he’s made a triumphant, majestic return that pummels cynicism and grit and makes the case that, if nothing else, the movies at least need Superman." (more)
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