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"Nothing ruins this."
5 stars
Jay Seaver says... "SCREENED AT BOSTON UNDERGROUND FILM FESTIVAL 16: Say this for "Blue Ruin": It starts from a different place that many movies of its type, and that starting point means that even when it doesn't necessarily go in a unique direction, it still winds up in a new place. Going unexpected places in and of itself is certainly a good thing for a thriller like this, but it still needs some navigation, and writer/director Jeremy Saulnier is an impressively sure hand on the wheel." (more)
"Swing and a..."
3 stars
Daniel Kelly says... "2012’s “The Amazing Spider-Man” was a competent work, but its need for being never felt genuine. Repeating an origin story that a superior film-maker had spent the best part of ten years excavating, the reboot was a digestible summer commodity, but hardly a necessary re-evaluation of everyone’s favourite web-slinger. “The Amazing Spider-Man 2” doesn’t really make a great deal of progress in justifying Sony’s franchise continuation (at least artistically). The feature manages to ascertain a greater sense of personal identity than its predecessor, but the script’s a mess and much like Sam Raimi’s franchise halting “Spider-Man 3” suffers a severe faulty villain complex." (more)
"Highly animated, though not as much as it could be."
4 stars
Jay Seaver says... "SCREENED AT BOSTON UNDERGROUND FILM FESTIVAL 16: "The Congress" divides fairly naturally into three or four parts, and the Futurological Congress which gives the film is name (and was presumably much more central to Stanislas Lem's original novel) is probably the least interesting despite having the most going on. One almost wonders why filmmaker Ari Folman didn't just make a movie with everything else and cite Lem as an inspiration, because that still leaves a heck of a smart, unusual science fiction film." (more)
"One of the more uplifting movies about suicide you'll see."
5 stars
Jay Seaver says... "SCREENED AT BOSTON UNDERGROUND FILM FESTIVAL 16: I didn't quite avoid "Love Eternal" when it played at another festival last year, but I certainly didn't have much trouble choosing what was on the other screen whenever the Irish death-fetish film was playing. I'm not saying that was a mistake - I liked the other movies I saw at Fantasia - but I was quite pleasantly surprised at how much I wound up enjoying this one." (more)

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