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22 Jump Street 3.6
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"Revenge as deadpan comedy."
5 stars
Jay Seaver says... "SCREENED AT THE 2014 FANTASIA INTERNATIONAL FILM FESTIVAL: Where is the exact line between a movie being a darkly funny revenge story and a full-on, pitch-black dark comedy? In the case of "In Order of Disappearance", I think it is crossed early on in a gag that will recur throughout the movie, although it may seem to waver back and forth as the story unfolds. By the time it's over, though, this reunion of the team behind "A Somewhat Gentle Man" has produced something that is both darker and funnier than that impressive movie." (more)
"Another good reason for Bill Plympton fans to remain loyal to the man."
4 stars
Jay Seaver says... "SCREENED AT THE 2014 FANTASIA INTERNATIONAL FILM FESTIVAL: "Cheatin'" is the new Bill Plympton movie, his first feature since 2008's "Idiots and Angels", and it's a fine demonstration that over thirty years as an independent animator, he hasn't dulled his edge much while carving out his niche. It's funny, strange past the point of eccentric, and has a style that is unmistakable for anyone else. Longtime fans should be pleased; and it wouldn't be a particular surprise if showing it to friends created new fans." (more)
"Does many things well but leaves me cold."
3 stars
Jay Seaver says... "SCREENED AT THE 2014 FANTASIA INTERNATIONAL FILM FESTIVAL: I saw "White Bird in a Blizzard" referred to as a coming of age movie, and I don't necessarily think that designation fits. Not every drama where the characters haven't graduated from high school yet needs that label; sometimes bad things just happen when teenagers are around. That's sort of what happens here, and it's why a movie that's very strong in some ways, but is oddly hands-off enough in others that it's not quite as good as the surface suggests it should be." (more)
"I did not want the main characters to be eaten by bears. That's something."
2 stars
Jay Seaver says... "SCREENED AT THE 2014 FANTASIA INTERNATIONAL FILM FESTIVAL: "Butter on the Latch" was listed in the program as playing before director Josephine Decker's prior film, "Thou Wast Mild and Lovely", as if it was a short film rather than a 63-minute feature. The programmers and projectionists mercifully flipped the order; I can only imagine how the audience might have revolted if this had played first. The properties that make it not a very good movie would have made it even more of an endurance test if the audience was sitting through the whole thing to get to the film whose name actually appears on the ticket." (more)

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