Jamie Kennedy's favorite movie review site
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Awesome: 3.33%
Worth A Look: 10%
Just Average46.67%
Pretty Crappy: 40%
Sucks: 0%

4 reviews, 6 user ratings

Latest Reviews

Amiko by Jay Seaver

Man Who Killed Hitler and Then The Bigfoot, The by Jay Seaver

Laplace's Witch by Jay Seaver

Eighth Grade by Peter Sobczynski

Unfriended: Dark Web by Peter Sobczynski

Mamma Mia: Here We Go Again! by Peter Sobczynski

Boiled Angels: The Trial of Mike Diana by Jay Seaver

Buy Bust by Jay Seaver

Isle of Dogs by Rob Gonsalves

Room Laundering by Jay Seaver

subscribe to this feed

[AllPosters.com] Buy posters from this movie
by Eugene Novikov

"Doesn't have the hang of the formula."
2 stars

Movies often portray inner-city turmoil as caused by cycles of violence -- systematic injustice breeding anger that manifests itself again and again in otherwise decent people, sending their communities into a downward spiral. The most interesting aspect of Pride is this thesis as manifested in the main character, a talented high school swimmer who hit a cop in a fit of rage during an attempt to eject him from a meet because of his race; years later, having returned to Philadelphia and converted a collapsing rec center into a home for a group of kids who will learn valuable life lessons ("Pride -- Determination -- Resilience") through swimming, he nearly sends the whole operation crashing down by again lashing out in brutal violence against a local drug posse that threatens his new charges.

It's a compelling notion, and one that allows for a fair bit of nuance: had Jim Ellis (Terrence Howard) remained a paragon of righteousness, it would have been easy to blame the drug dealer leeches and their ilk for the characters' (and -- why not? -- society's) problems and call it a day. By making its protagonist unwilling or unable to turn the other cheek, the aptly titled <I>Pride</I> draws its milieu in shades of gray. By making that unwillingness perfectly understandable, it makes the solution still harder to pin down.

Unfortunately, the movie still kind of sucks. It fails altogether to make the objects of Jim's efforts -- the b-ball-playing-punks-turned-breaststroking-virtuosos -- believable or worthy of the adulation and affection that the film heaps on them. Some of the problem is in the casting, since under no circumstances are any of the actors in question anywhere near high school age, but <I>Pride</I> largely falls into a familiar inspirational teacher movie trap: it tries its best to make the teacher into a person, but is content to leave the students as mere stand-ins, subjects, concepts. We see Ellis risk life and limb to rescue Andre (Kevin Phillips) from the drug pusher's grip, but there's no sense that this is about Andre in any way; we're meant to gape wide-eyed at Ellis' heroism. Later, Ellis intones, "I believe in them so much; there's so much they can do," but the movie doesn't even try to make us believe this.

First-time director Sunu Gonera and his battalion of screenwriters also have a beginner's flair for ruining nice moments with sickly-sweet excess. At one point, the mean-spirited team of white kids, coached by the smarmy Tom Arnold, refuses to compete at the rec center meet, and the way our heroes initially handle this is courageous, dignified, and right -- until the film decides to take the scene to the next inspirational-sports-movie level and spin out something cheesy, implausible, with a rotten aftertaste. The "big moments" here are the worst.

The same sort of disappointing dynamic appears again in the final scenes. The climax begins promisingly, with Ellis banished outside of the pool and the kids -- finally -- having to take the lead. Ellis' nervous, helpless pacing adds a layer of suspense that would otherwise be missing from the generic proceedings, at least until Pride busts out the "biggest heart" clichés and concludes in the most banally victorious manner possible.

The end credits run over shots of the real Jim Ellis, still doing his thing in inner-city Philly. Even in this poorly-made, disappointing film, he comes off as interesting, with a good heart under a gloss of fiery impatience. <I>Pride</I> seems fascinated with him too, but to the exclusion of everything else that would have made it a worthwhile rendition of the formula. Too bad.

(Reprinted from Filmblather.com)

link directly to this review at http://www.hollywoodbitchslap.com/review.php?movie=15305&reviewer=419
originally posted: 03/23/07 01:52:42
[printer] printer-friendly format  

User Comments

1/15/09 Sandy K this movie was very exciting and it is better than most movies i have seen in my life time. 5 stars
1/15/09 Anonymous. good acting and good story, but really nothing special. 3 stars
11/26/07 Random TDH is the big fish of this little project. Not quite poetic, but evocative all the same 4 stars
7/11/07 CrazyJayy In docudrama movies a lot gets dramatized, but this was very entertaining 4 stars
7/02/07 William Goss Glory Road + swimming + any other sports/race cliche either of those forgot. Good sdtrk. 3 stars
7/02/07 Tanya g very good movie, the acting was great 4 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  23-Mar-2007 (PG)
  DVD: 26-Jun-2007



Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Privacy Policy | | HBS Inc. |   
All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast