Jamie Kennedy's favorite movie review site
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
4.11

Awesome43.48%
Worth A Look: 41.3%
Just Average: 0%
Pretty Crappy: 13.04%
Sucks: 2.17%

5 reviews, 16 user ratings



(500) Days of Summer
[AllPosters.com] Buy posters from this movie
by brianorndorf

"Indie rock romance that plays like Top 40 contemporary"
2 stars

Comparing “(500) Days of Summer” to Woody Allen’s “Annie Hall” might be marvelous shorthand to describe the acidic romantic comedy intentions of this new film, but quality wise, the pictures are miles apart. Using the tenets of alternative hipsterdom to blanket screen clichés of all shapes and sizes, “Days” aims to be a carefree, collar-unbuttoned pass on love and other disasters. Mostly the picture grates with its faux-indie-film affectations and unimaginative craftsmanship. It grazes on the fields of Gen-Y trends and ‘80’s nostalgia to fatten itself to such a degree, it would be impossible to notice the material is only a few menopausal jokes away from your average Nora Ephron film.

Tom (Joseph Gordon-Levitt, angular and ill-fitted for tenderness) is man who believes in love. Employed at a greeting card company, Tom meets Summer (Zooey Deschanel, pushing her gooey-eyed routine to its natural conclusion), and the two quickly bond over a fondness for the music of The Smiths. While Summer makes it clear she’s not interested in commitment, Tom hounds her anyway, convinced their love will topple her defenses. Growing close, nearing the steep precipice of commitment, Summer pulls away, leaving Tom depressed, alone, and forced to ponder his time with a woman who thoroughly rocked his world.

Music video director Marc Webb deserves some credit for shaking “Days” vigorously with a full armada of visual tweaks and whimsy. It’s an unforgiving filmmaking challenge, assigned to chisel something vaguely human out of a screenplay (written by Scott Neustadter and Michael H. Weber, “Pink Panther 2”) that’s flash-frozen with concrete layers of formula and only the faintest flecks of sincerity. Webb desires to lift Tom’s interior monologue off the ground, using animation, montages, a Hall and Oates musical number (communicating the ecstasy of sleeping with Summer), and a tree house mix tape of college radio hits to express the character’s rattled state of mind. Webb remains in this holding pen of cutesy self-awareness for most of the feature. He huddles close to the warmth of artifice and quirky comedy, building a sturdy bridge over the complicated textures of the central relationship, and Tom’s eventual emotional dam.

Indeed, “Days” get so caught up in cleverness it forgets to treat the lovers as a fractured reality. Instead of face time with Summer and Tom as they mold their habits and connections, “Days” wants to waste film on Tom’s two beer-swilling best friends (Matthew Gray Gubler and Geoffrey Arend), who dispense crude, sitcom advice while facing their own romantic indecision. Tom also has a wisecracking little sister (Chloe Moretz), who offers her own take on her brother’s romantic future, delivering BS-free therapy with the obnoxious scripted confidence of a 57-year-old mother of twelve. “Days” positions itself to communicate the complexity of the wounded heart, but covers its tracks with excessive fantasy every chance it gets. Webb and the writers don’t take the conflict seriously, even while they aggressively reach out to the audience for empathy. It’s a confused, overtly winky approach that torpedoes the picture right from the start.

Greeting card employment? Ingmar Bergman and “Knight Rider” references? Modern art mockery? Multiple sequences of drunken warbling set inside a karaoke bar? These are not fresh ingredients to make a movie with, especially not one that’s defiantly avoiding the traditional love story path. Webb only allows for true grit in the final reel, where Tom must come to terms with his misery, lest he be tormented for the rest of his life. It’s a bitter approach pattern to the climax that finally reveals emotional weight, the lone piece of psychological business that mirrors the real world. It’s disappointingly fleeting, and while I didn’t expect Tom to end up sucking on the business end of a revolver during the end credits, Webb aims to close “(500) Days of Summer” with a big, bright sunny day. It’s an inappropriate, formulaic statement of confidence regenerated, though in keeping with the rest of the dismal familiarity.

link directly to this review at http://www.hollywoodbitchslap.com/review.php?movie=18196&reviewer=404
originally posted: 07/17/09 08:19:04
[printer] printer-friendly format  
OFFICIAL SELECTION: 2009 Sundance Film Festival For more in the 2009 Sundance Film Festival series, click here.
OFFICIAL SELECTION: 2009 South By Southwest Film Festival For more in the 2009 South By Southwest Film Festival series, click here.
OFFICIAL SELECTION: 2009 CineVegas Film Festival For more in the 2009 CineVegas Film Festival series, click here.
OFFICIAL SELECTION: 2009 RiverRun International Film Festival For more in the 2009 RiverRun International Film Festival series, click here.
OFFICIAL SELECTION: Independent Film Festival of Boston 2009 For more in the Independent Film Festival Boston 2009 series, click here.
OFFICIAL SELECTION: 2009 Philadelphia Film Festival For more in the 2009 Philadelphia Film Festival series, click here.
OFFICIAL SELECTION: 2009 Florida Film Festival For more in the 2009 Florida Film Festival series, click here.
OFFICIAL SELECTION: 2009 Seattle International Film Festival For more in the 2009 Seattle International Film Festival series, click here.

User Comments

11/04/15 David Hollingsworth Clever and refreshing. 5 stars
2/09/12 PAUL SHORTT CLEVER, HONEST AND CHARMING 4 stars
3/09/11 art CHLOE MORETZ moved on to BIGGER and better thing's[KICK ASS,LET ME IN}. 1 stars
9/12/10 Simon Really innovative take on it's-been-done love stories. Contrived but contrived appealingly 4 stars
6/11/10 MP Bartley Not as clever as it thinks it is, but clever nonetheless. 4 stars
5/06/10 Ionicera Somewhat clever and likeable but not very deep 4 stars
3/02/10 Stanley Thai A unique romantic comedy told in an ingenious and creative way. 5 stars
2/27/10 Brian Mckay Funny and creative "Boy meets/loses girl" story. Levitt and Deschanel are great together. 4 stars
12/13/09 Flounder Extremely original screenplay and fantastic performances around. Deserves an Oscar nom 5 stars
12/04/09 matt It was good, but I probably wouldn't watch it again 4 stars
11/27/09 -Loved Nice. perfectly enjoyable, plus I loved Zooey no end 4 stars
9/25/09 Akemi Gardiner The movie had a very realistic take on relationships. Loved it! 5 stars
9/11/09 BTC It deserves the hype, and should win an oscar for best original screenplay! 5 stars
8/30/09 Omar I'm not a big fan of romantic films, but this is excellent. 5 stars
7/23/09 sleestakk was expecting something more conventional; was pleased it was rather not. nice review! 5 stars
7/17/09 Rio It had the potential to be Another Stupid Hipster Movie, but it wasn't. Beauty. 5 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  17-Jul-2009 (PG-13)
  DVD: 22-Dec-2009

UK
  N/A

Australia
  17-Jul-2009
  DVD: 22-Dec-2009




Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Privacy Policy | | HBS Inc. |   
All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast