Girl in the Spider's Web, The: A New Dragon Tattoo StoryReviewed By Rob Gonsalves
Posted 02/04/19 14:11:41
It’s been almost a decade since I last saw the original Swedish trilogy of thrillers featuring Lisbeth Salander, but I don’t quite remember them being reheated James Bond, as 'The Girl in the Spider’s Web' often is.This is based on the fourth book in the series, taken over by writer David Lagencrantz after Lisbeth’s creator, Stieg Larsson, permanently clocked out in 2004. I couldn’t tell you whether Larsson would have approved of what Lagencrantz has done with Larsson’s hero, though I wonder if Larsson’s plans for her included such pulpy touches as Lisbeth’s sociopathic twin sister emerging from the shadows to incinerate the world with the help of a vicious gang called the Spiders.
Handled differently, a plot development like that would nudge a movie into cult-favorite status to be ironically enjoyed. But director Fede Álvarez (Don’t Breathe, the Evil Dead remake) seems to be locked into the grim, dreary tone apparently required by producer Scott Rudin. Rudin also produced 2011’s American version of The Girl with the Dragon Tattoo, which made a lot of money being grim and dreary, and so Spider’s Web is commanded to go and do likewise. When Álvarez can put an action scene together, he excels; the movie is full of chases and gunplay and strange torture, like the other films, but Álvarez brings something heavy and muscular to it. Towards the end, when a sniper takes out some bad guys, we feel the propulsive punch of those bullets.
A Lisbeth Salander movie is only as good as its Lisbeth, and Noomi Rapace, who fleshed out the hero in the Swedish films, leaves cavernous shoes to fill. Rooney Mara couldn’t manage it in 2011, but Claire Foy, who steps in here, is a different story. She nails the character’s essential spiky loneliness and skittishness. It shouldn’t look cool to be Lisbeth, whose lifetime of abuse from scummy men starting with her own father has mutilated her soul. Foy understands this — her Lisbeth looks more saddened than bad-ass. Her flickers of caring about others, like her friend and one-time lover, journalist Mikael Blomkvist (Sverrir Gudnason), come across as vulnerability but also a kind of relieved reaching towards connection. Foy shows us a blunted humanity under the scabs and scars.
Put Foy up against Sylvia Hoeks (the frightening killer replicant in Blade Runner 2049) as Lisbeth’s anarchic sister Camilla and you should have an affair to remember. And in truth, it all leads to a scene between these formidable actresses that very nearly justifies the existence of the whole creaky movie. Lisbeth, it seems, ran away from home — and from her father’s sexual abuse — as a girl, leaving Camilla there to absorb his evil. Lisbeth grew up to be a brilliant hacker and remorseless avenger of abused women. This twist, though, recasts Lisbeth as a goth Clarice Starling, driven to save the lambs again and again because she failed to save one — her sister. The one who escaped is damaged enough, but the one who got left behind ended up morally diseased by years of proximity to evil. Camilla asks Lisbeth why she rescued everyone but her. It’s a fair question, and Lisbeth has no real answer.
The rest of Spider’s Web, though, feels inessential. Even though Stieg Larsson himself reportedly planned ten Lisbeth/Mikael novels, maybe the pained and rageful Lisbeth doesn’t and shouldn’t work as a franchise hero. Her whole M.O. is bringing the pain to deserving men, but here her ultimate adversary is a woman — and, of course, not just a woman. Whatever integrity this character has, it demands that she never really heal or grow, and it seems insensitive — even cruel — to keep re-animating her to face more devils and scum. (A fifth novel, The Girl Who Takes an Eye for an Eye, was published in 2017.)Since 'Spider’s Web' was a worldwide flop in comparison with its more heavily hyped predecessor, it appears likely that this latest cinematic go-round for Lisbeth will be her last; she’s a great character, but I think she’s earned retirement.
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