Jamie Kennedy's favorite movie review site
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
4.09

Awesome57.78%
Worth A Look: 20%
Just Average: 0%
Pretty Crappy: 17.78%
Sucks: 4.44%

4 reviews, 21 user ratings


Latest Reviews

Darkest Hour by Jay Seaver

Shape of Water, The by Jay Seaver

I, Tonya by Rob Gonsalves

Wonder Wheel by Peter Sobczynski

Three Billboards Outside Ebbing, Missouri by Rob Gonsalves

Swindlers, The by Jay Seaver

Oro (Gold) by Jay Seaver

Disaster Artist, The by Peter Sobczynski

Explosion by Jay Seaver

Lucky (2017) by Rob Gonsalves

subscribe to this feed


Saddest Music in the World, The
[AllPosters.com] Buy posters from this movie
by EricDSnider

"Crack-smoking cinema at its finest."
5 stars

SCREENED AT THE 2004 SUNDANCE FILM FESTIVAL: The great bane of independent filmmaking is pretention, often manifested as the "weird just for the sake of being weird" syndrome. Some directors, especially novice ones, believe incomprehensibility is the same thing as depth, and they imbue their films with nonsensical dialogue and druggish images.

"The Saddest Music in the World" shows the positive flip side of cinematic weirdness. It is a crazy, crack-smoking movie, no question, but it's weird in an accessible, amusing way. It's not obtuse or illogical. Its plot, in fact, is entirely straightforward. It's the way the story is told, the details, the fringes, the camera work, that make it a giddy, insane lark. It's bizarre filmmaking that regular people can enjoy, too.

Directed by Canadian maverick Guy Maddin, the film is set in Winnipeg in 1933, the midst of the Great Depression (which Canada totally stole from us). Chester Kent (Mark McKinney), a Winnipeg native who became a Broadway producer, went broke, and has now returned home, is desperate for a new idea ("It needs to be vulgar and obvious, full of gimmicks," he says of American sensibilities), and also for money. His girlfriend, Narcissa (Maria de Medeiros), who claims to have a tapeworm that talks to her, is as broke as he is. They are in love, but love doesn't keep you warm during the Manitoba winters (unless you set your love on fire, I guess).

Meanwhile, beer-industry maven Lady Port-Huntly (Isabella Rossellini) has found a way to garner publicity for her beer halls. Since Winnipeg has been named the saddest city in the world three years running by a London magazine, Lady Port-Huntly will sponsor a contest to determine which nation produces the saddest music in the world. The musician who can prove his native land to be the dreariest, song-wise, will win $25,000.

Chester plans to represent America. His father, streetcar driver and alcoholic one-time doctor Fyodor (David Fox), will represent Canada. Chester's brother, a fellow expatriate named Roderick (Ross McMillan), will represent his new homeland of Serbia (starting point of World War I, after all, putting it right up there in terms of sadness).

All three Kents have ties to Lady Port-Huntly, who lost her legs in a tragic car accident years ago. Narcissa is involved, too, and the connections among all the characters are revealed as the story progresses.

I am struck first and foremost by the film's odd sense of humor. A pair of play-by-play announcers give us the low-down on each of the competitions in the tournament (Mexico vs. Siam, etc.), delivering a hilarious line almost every time. ("No one can beat Siam when it comes to dignity, cats or twins," one of them says. Later, a cellist is remarked to have "drawn enough moisture from hardened Old World eyes to fill the English Channel.") Lady Port-Huntly's leglessness, and the eventual solution to that problem, are a continual source of amusement, too.

Visually, the film is composed to look like it was shot in 1933, including being in black and white (except for a few scenes, apparently randomly chosen, that are in color). The picture occasionally jumps a bit, as if frames are missing, as often happens with old films. Cinematographer Luc Montpellier frames some scenes with foggy edges, and makes others look like they're set inside a snowglobe or a raindrop. It's as though an old German expressionist film were discovered in a vault and is being shown now for the first time.

I don't know whether the film would hold up to repeat viewings; it may be that the fun of it wears off once you've been through it once. That first run-through, though, is a doozy. It's a fantastically weird and funny movie that exhibits creativity in its most sharp and disciplined form.

link directly to this review at http://www.hollywoodbitchslap.com/review.php?movie=8245&reviewer=247
originally posted: 01/21/04 15:11:16
[printer] printer-friendly format  
OFFICIAL SELECTION: 2004 Sundance Film Festival. For more in the 2004 Sundance Film Festival series, click here.
OFFICIAL SELECTION: 2003 Vancouver Film Festival. For more in the 2003 Vancouver Film Festival series, click here.
OFFICIAL SELECTION: 2004 Philadelphia Film Festival. For more in the 2004 Philadelphia Film Festival series, click here.
OFFICIAL SELECTION: 2004 Sydney Film Festival. For more in the 2004 Sydney Film Festival series, click here.
OFFICIAL SELECTION: 2004 Seattle Film Festival. For more in the 2004 Seattle Film Festival series, click here.
OFFICIAL SELECTION: 2004 San Francisco Film Festival. For more in the 2004 San Francisco Film Festival series, click here.
OFFICIAL SELECTION: 2004 Brisbane Film Festival. For more in the 2004 Brisbane Film Festival series, click here.

User Comments

8/02/07 fools♫gold Entertainingly unfunny, though more unoriginal than some might suggest I think. 5 stars
7/05/06 T. Maj Huh? 1 stars
3/23/05 Colleen Goldrick Enjoyable 4 stars
10/18/04 Misty De Meo I absolutely adored this film when I was lucky enough to catch it in theatres. 5 stars
9/12/04 C Porter Exhausting but thought provolking and fun 5 stars
8/02/04 Russ Sapienza Original, well-acted work 4 stars
8/01/04 April The film was absoulutely brilliant, I just loved McKinney's performance. 5 stars
6/08/04 Paula Jeanine bad acting, self-indulgent, cheap filming techniques are tiresome, too violent 2 stars
6/03/04 Ciaran Forced forced forced forced forced forced forced forced forced. 2 stars
5/22/04 sandra The movie was horrible! After ten minutes we walked out, too difficult to follow script 1 stars
2/21/04 Tom Ronca Another triumph from Canada's reigning auteur! 5 stars
2/18/04 Nathan Andersen Wonderful reinvention of film history; a postmodern melodrama, made as if in the '30s 5 stars
2/03/04 Edith Maddin is a master! 5 stars
1/27/04 Erin The film was bizarrely hilarious, witty and artistically interesting. LOVED IT 5 stars
1/25/04 Lizanne 'Metropolis' and 'Brazil' meet...good stuff 5 stars
12/22/03 tom great! 5 stars
12/02/03 art pellman the usual genius 5 stars
11/25/03 Jeannette McGlone Magically transporting. Hilarious, gut wrentchiing emotional parody, with music. Loved it 5 stars
11/03/03 Elfrieda Jillson A unique and ground breaking masterpiece from a true visionary! 5 stars
10/26/03 Jean-Philippe Luckhurst An amazing poetic and artistic adventure through music 5 stars
10/21/03 Guilherme Esteves Inovating and of a very good Black Humor 4 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  30-Apr-2004 (R)
  DVD: 16-Nov-2004

UK
  N/A

Australia
  N/A




Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Privacy Policy | | HBS Inc. |   
All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast