| NOW SHOWING |
| TITLE |
RATING |
| 211 |
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| 5B |
rate me! |
| A.X.L. |
rate me! |
| Active Measures |
rate me! |
| Addams Family, The (2019) |
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| All-Americans, The |
rate me! |
| Along with the Gods: The Last 49 Days |
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| Amazing Grace (2019) |
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| American Woman |
rate me! |
| Anna and the Apocalypse |
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| Antonio Lopez 1970: Sex Fashion & Disco |
rate me! |
| Apparition, The (2018) |
rate me! |
| Architects of Denial |
rate me! |
| Arctic Dogs |
rate me! |
| Armed |
rate me! |
| Asako I & II |
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| At War |
rate me! |
| Bad Reputation |
rate me! |
| Beautifully Broken |
rate me! |
| Becoming Astrid |
rate me! |
| Before You Know It (2019) |
rate me! |
| Bennett's War |
rate me! |
| Bethany Hamilton: Unstoppable |
rate me! |
| Better Days |
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| Between Me and My Mind |
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| Big Brother |
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| Bigger |
rate me! |
| Biggest Little Farm |
rate me! |
| Bisbee '17 |
rate me! |
| Black and Blue |
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| Blink of an Eye |
rate me! |
| Bliss (2019) |
rate me! |
| Blood Fest |
rate me! |
| Blue Iguana |
rate me! |
| Bodied |
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| Booksmart |
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| Boy Who Harnessed the Wind, The |
rate me! |
| Britt-Marie Was Here |
rate me! |
| Brittany Runs A Marathon |
rate me! |
| Bunuel in the Labyrinth of the Turtles |
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| Burn Your Maps |
rate me! |
| Buy Bust |
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| By The Grace of God |
rate me! |
| Captain, The (2018) |
rate me! |
| Captain, The (2019) |
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| Catcher Was A Spy, The |
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| Charlie Says |
rate me! |
| Charlie's Angels (2019) |
rate me! |
| Chasing the Blues |
rate me! |
| Chasing the Dragon 2: Wild Wild Bunch |
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| Combat Obscura |
rate me! |
| Countdown |
rate me! |
| Cracked Up |
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| Crawl |
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| Current War, The |
rate me! |
| Cyrano, My Love |
rate me! |
| Damascus Cover |
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| Dark Place, A |
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| Dawn Wall, The |
rate me! |
| Day Shall Come, The |
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| Dead Center, The |
rate me! |
| Dead Don't Die, The |
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| Death of Dick Long, The |
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| Depraved |
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| Detective Dee: The Four Heavenly Kings |
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| Detour |
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| Dilili in Paris |
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| Divine Fury, The |
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| Doctor Sleep |
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| ECCO |
rate me! |
| Edie |
rate me! |
| Elephant Sitting Still, An |
rate me! |
| Everybody's Everything |
rate me! |
| Fanatic, The |
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| Fantastic Fungi |
rate me! |
| Fantastic Woman, A |
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| Farming |
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| Fiddler: A Miracle of Miracles |
rate me! |
| First Love |
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| First Man |
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| Ford v Ferrari |
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| Frankie |
rate me! |
| Freaks (2019) |
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| Friedkin Uncut |
rate me! |
| Game Changers, The |
rate me! |
| GameChangers |
rate me! |
| Gangster, the Cop, the Devil, The |
rate me! |
| Gemini Man |
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| German Youth, A (2019) |
rate me! |
| Ghost Fleet |
rate me! |
| Gift |
rate me! |
| Give Me Liberty |
rate me! |
| God Bless the Broken Road |
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| Godard Mon Amour |
rate me! |
| Good Liar, The |
rate me! |
| Gosnell |
rate me! |
| Greener Grass |
rate me! |
| Ground Beneath My Feet, The |
rate me! |
| Harriet |
rate me! |
| Heavy Trip |
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| High Flying Bird |
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| High Strung Free Dance |
rate me! |
| Honey Boy |
rate me! |
| Honeyland |
rate me! |
| Hostiles |
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| Hot Summer Nights |
rate me! |
| Hotel by the River |
rate me! |
| Housefull 4 |
rate me! |
| How Long Will I Love U |
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| Hunt, The (2019) |
rate me! |
| I Am Not a Witch |
rate me! |
| Immortal Hero |
rate me! |
| In The Aisles |
rate me! |
| Inside Game |
rate me! |
| Interview with God, An |
rate me! |
| Island, The (2018) |
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| Isn't It Romantic |
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| Jay Myself |
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| Jexi |
rate me! |
| Jojo Rabbit |
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| Joker |
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| Kid, The (2019) |
rate me! |
| Killerman |
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| Kingmaker, The |
rate me! |
| L.A. Minute, An |
rate me! |
| La Familia |
rate me! |
| Landline |
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| Last Black Man in San Francisco, The |
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| Last Christmas |
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| Last Whistle, The |
rate me! |
| Late Night |
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| Leo Da Vinci: Mission Mona Lisa |
rate me! |
| Liam: As It Was |
rate me! |
| Lighthouse, The |
rate me! |
| Little Mermaid, The (2018) |
rate me! |
| Liyana |
rate me! |
| Loopers: The Caddie's Long Walk |
rate me! |
| Low Tide |
rate me! |
| Low, Low |
rate me! |
| Lucy in the Sky |
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| Ma |
rate me! |
| Making Waves: The Art of Cinematic Sound |
rate me! |
| Maleficent: Mistress of Evil |
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| Man Who Killed Don Quixote, The |
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| MDMA |
rate me! |
| Memoir of War |
rate me! |
| Memory: The Origins of Alien |
rate me! |
| MFA |
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| Midnight Traveler |
rate me! |
| Midway (2019) |
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| Minding the Gap |
rate me! |
| Monos |
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| Monrovia, Indiana |
rate me! |
| Moonlight Sonata: Deafness in Three Movements |
rate me! |
| Most Beautiful Island |
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| Motherless Brooklyn |
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| Mr. Toilet: The World's #2 Man |
rate me! |
| Ms. Purple |
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| My Dear Liar |
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| My Son (2019) |
rate me! |
| Nancy |
rate me! |
| Narcissister Organ Player |
rate me! |
| Ne Zha |
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| Nico, 1988 |
rate me! |
| No Postage Necessary |
rate me! |
| Nobody's Fool (2018) |
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| Ode to Joy |
rate me! |
| Other Side of Heaven 2, The: Fire of Faith |
rate me! |
| Outlaw King |
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| Over the Limit |
rate me! |
| Pain and Glory |
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| Papi Chulo |
rate me! |
| Paradise Hills |
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| Parasite (2019) |
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| Parts You Lose, The |
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| Penguins |
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| People's Republic of Desire |
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| Peterloo |
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| Photograph |
rate me! |
| Piranhas |
rate me! |
| Playing with Fire (2019) |
rate me! |
| Pokemon Detective Pikachu |
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| Portal, The |
rate me! |
| Professor and the Madman, The |
rate me! |
| Prospect |
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| Quiet One, The |
rate me! |
| Race 3 |
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| Rapid Response |
rate me! |
| Report, The |
rate me! |
| Riot Act, The |
rate me! |
| River Runs Red |
rate me! |
| Roma (2018) |
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| Rosie |
rate me! |
| Round of Your Life |
rate me! |
| Running for Grace |
rate me! |
| Saaho |
rate me! |
| Scandalous: The True Story of the National Enquirer |
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| Scarred Hearts |
rate me! |
| School of Life |
rate me! |
| Science Fair |
rate me! |
| Screwball |
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| See You Soon |
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| Serendipity (2019 |
rate me! |
| Shadow |
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| Shine (2018) |
rate me! |
| Silence of Others, The |
rate me! |
| Snow Queen 3: Fire and Ice |
rate me! |
| Soorma |
rate me! |
| Sorry Angel |
rate me! |
| Sound of Silence |
rate me! |
| Storm Boy |
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| Straight into a Storm |
rate me! |
| Student of the Year 2 |
rate me! |
| Summer of '84 |
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| Sunset (2019) |
rate me! |
| Suspiria (2018) |
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| Swinging Safari |
rate me! |
| Sword of Trust |
rate me! |
| Tattoo Uprising |
rate me! |
| Teefa in Trouble |
rate me! |
| Tel Aviv on Fire |
rate me! |
| Terminator: Dark Fate |
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| This One's For The Ladies |
rate me! |
| Three Peaks |
rate me! |
| Tigers Are Not Afraid |
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| TINY: The Life of Erin Blackwell |
rate me! |
| Tito and the Birds |
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| Tod@s Caen |
rate me! |
| Toni Morrison: The Pieces I Am |
rate me! |
| Trespassers |
rate me! |
| Under the Eiffel Tower |
rate me! |
| Unplanned |
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| Venom (2018) |
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| Villains |
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| Vita & Virginia |
rate me! |
| Walking on Water |
rate me! |
| Wallflower |
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| Warrior Queen of Jhansi, The |
rate me! |
| Waves (2019) |
rate me! |
| We the Animals |
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| Western Stars |
rate me! |
| Whale of a Tale, A |
rate me! |
| Where's My Roy Cohn? |
rate me! |
| White Snake |
rate me! |
| Wild Nights With Emily |
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| Woman Walks Ahead |
rate me! |
| Won't You Be My Neighbor? |
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| Wonder Park |
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| Wrinkles the Clown |
rate me! |
| Yardie |
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| Zero (2018) |
rate me! |
| Zeroville |
rate me! |
| Zombieland 2: Double Tap |
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| FORD V FERRARI |
"Le Mens"
Peter Sobczynski says... "“Ford v. Ferrari” tells the story of a couple of iconoclasts who have been employed by a monolithic company to pull off a seemingly impossible task and follows them as they struggle to accomplish this in the face of a unyielding corporate structure that seems to be designed solely to stymie them from accomplishing the very job that they were hired to do. This is a narrative structure that will always be timely but in this case, it is especially resonant because this is a film that was made by 20th Century Fox, a studio which was recently purchased by Disney, the superhero/animation/remake factory that would have never dreamed of investing a single cent in an expensive adult-oriented drama if they had been offered the chance to finance it. Although obviously inadvertent, this odd behind-the-scenes parallel adds an unexpected level of resonance to an otherwise familiar, if undeniably well-made, film, the kind that Hollywood used to make on a regular basis but which has now become an increasingly rare occurrence in the industry’s unfortunate shift to an all-tentpole business model." (more)
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| MARRIAGE STORY |
"Kicking And Screaming"
Peter Sobczynski says... "if I were to sit down and make a list of the directors whose name on the credits of a new film is enough to fill me with the kind of scorn and dread usually reserved for trips to the dentist or the musical recitals of other people’s children, I must confess that Noah Baumbach would most likely be very near the top of it even if it wasn’t in alphabetical order. He has been making movies for 25 years now and, to be fair, some of his films have received plenty of critical acclaim, even from observers whose opinions I respect. However, whatever qualities they have found to celebrate in works like “The Squid and the Whale,” “Margot at the Wedding” and his Greta Gerwig-led trilogy of “Greenberg,” “Frances Ha” and “Mistress America” have managed to elude me completely. To these eyes, he specializes in films centered around wildly unpleasant and deeply solipsistic narcissists who spend their time making themselves and anyone who happens into their rarefied orbit as miserable as possible. Mind you, I don’t object to films based around obnoxious or unlikable people—my objection is that seems incapable of also presenting them in a manner interesting enough to make me want to sit through their narratives for any other reason outside of professional obligation. To be fair, I did like “De Palma,” the fascinating documentary on the life and work of a slightly more interesting filmmaker that he co-directed with Jake Paltrow, and he did co-write the screenplays to the Wes Anderson films “The Life Aquatic with Steve Zissou” and “Fantastic Mr. Fox.” I dunno—maybe, in direct opposition of what has been suggested in the majority of his oeuvre, he simply plays well with others." (more)
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| BETTER DAYS |
"Tests close to the top of its class."
Jay Seaver says... "You can tell when a film and filmmaker are just better than their peers, as was the case with Derek Tsang's previous film "SoulMate", the best in a wave of seemingly dozens of Chinese movies about people looking back on their high school years. That's a description that could technically apply to "Better Days", especially with the bookends made to satisfy the censors, although it's a far harsher film than those, but effectively so: Tsang brings something visceral to his story of bullying and revenge where all too many might be satisfied to make it easier for the squeamish to grapple with." (more)
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| SCANDALOUS: THE TRUE STORY OF THE NATIONAL ENQUIRER |
"Not just about a tabloid."
Rob Gonsalves says... "A gore-soaked tabloid, whose publisher had mob connections, was ultimately involved in helping install the President of the United States. This story, worthy of James Ellroy, is at the heart of the documentary 'Scandalous: The True Story of the National Enquirer.'" (more)
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