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"Get Them To The Greeks"
5 stars
Peter Sobczynski says... "If you had come up to me ten years ago and asked me to pick the one new film that would inspire the most unexpectedly durable and artistically satisfying franchise of the ensuing decade, I am not entirely sure which one I would have picked—in an era that gave us the likes of “MacGruber,” “Marmaduke” and that Robin Hood movie with Russell Crowe, who could possibly pick just one? I am fairly certain, however, that I would not have picked Michael Winterbottom’s “The Trip” for that honor. This is not to say that I did not like the film—like many, I was delighted with the largely improvised chronicle of comedians Steve Coogan and Rob Brydon, playing slightly exaggerated versions of themselves, touring the finest restaurants of Northern England while engaging in a constant game of one-upmanship punctuated with astoundingly detailed impersonations of actors more famous than them. However, comedies, as a rule, don’t really lend themselves well to sequels, let alone franchises, because all the inspired jokes have pretty much been used up the first time around and there is little left to do but repeat those familiar gags. (If you saw the entire “Hangover” series, you know what I mean. And yet, Winterbottom, Coogan and Brydon would return for “The Trip to Italy” (2014) and “The Trip to Spain” and while the basic outlines for those film would not deviate from the original, that concept proved to be a durable launching point for hilarious new improvisations and impersonations while occasionally moving, however subtly, into deeper and more thoughtful waters. Now comes “The Trip to Greece,” which all involved are claiming will be the last one and indeed, there is a sense of finality that hangs out on the edges this time around, though it is likely that you will be too busy laughing to notice until it takes center stage for its surprisingly affecting conclusion." (more)
ALICE (2019)
"A genuinely delightful discovery."
5 stars
Jay Seaver says... ""Alice" - whether referring to the film's title or its main character - is a lot of different things over the course of the film's running time, and what's really impressive is how well it manages to be all of them. Filmmaker Josephine Mackerras takes an idea that could be the plot of a sex comedy or a scathing critique, does a bit of both, and gets from one to the other in the smart way that acknowledges that all this stuff happens together." (more)
"A bit more introspective but still kind of 'Wrong'."
3 stars
Jay Seaver says... "About six years and three features ago, when reviewing Quentin Dupieux's "Wrong Cops", I joked that the director of some of the decade's most entertaining bits of cinematic nonsense was "only a few films away from doing something eccentric but basically sensible". "Deerskin" doesn't have him quite there, but it's grounded in a way Dupieux's other films are not, for better or worse. It's maybe more mature, but less zany fun." (more)
"Interesting despite a couple of gaps."
4 stars
Jay Seaver says... "SCREENED AT THE 2019 FANTASIA INTERNATIONAL FILM FESTIVAL: This is an intriguing but odd documentary, in that it seems like it could be more focused or detailed or illustrative, but instead the filmmakers just let their subject take them where she would, and if that wasn't where they expected, so be it. It helps to have the sort of subject who is willing to take you places in that case, although sometimes that means being ready for them to just not be interested in certain parts of the story." (more)

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