| NOW SHOWING |
| TITLE |
RATING |
| 211 |
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| 5B |
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| A.X.L. |
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| Active Measures |
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| Aeronauts, The |
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| Afterward |
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| All-Americans, The |
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| Along with the Gods: The Last 49 Days |
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| Amazing Grace (2019) |
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| American Woman |
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| And Then We Danced |
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| Anna and the Apocalypse |
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| Antonio Lopez 1970: Sex Fashion & Disco |
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| Apparition |
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| Apparition, The (2018) |
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| Architects of Denial |
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| Armed |
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| Asako I & II |
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| At War |
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| Bad Boys for Life |
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| Bad Reputation |
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| Beautifully Broken |
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| Becoming Astrid |
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| Before the Night Is Over |
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| Before You Know It (2019) |
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| Bennett's War |
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| Bethany Hamilton: Unstoppable |
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| Better Days |
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| Between Me and My Mind |
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| Big Brother |
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| Bigger |
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| Biggest Little Farm |
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| Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) |
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| Bisbee '17 |
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| Blink of an Eye |
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| Bliss (2019) |
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| Blood Fest |
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| Blue Iguana |
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| Bodied |
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| Bombshell |
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| Booksmart |
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| Boy Who Harnessed the Wind, The |
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| Brahms: The Boy II |
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| Britt-Marie Was Here |
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| Brittany Runs A Marathon |
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| Bunuel in the Labyrinth of the Turtles |
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| Burn Your Maps |
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| Buy Bust |
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| By The Grace of God |
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| Call of the Wild, The (2019) |
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| Captain, The (2018) |
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| Captain, The (2019) |
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| Catcher Was A Spy, The |
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| Charlie Says |
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| Chasing the Blues |
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| Chasing the Dragon 2: Wild Wild Bunch |
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| Chhapaak |
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| Chinese Portrait |
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| Citizen K |
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| Color Out of Space |
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| Combat Obscura |
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| Cordillera of Dreams, The |
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| Corpus Christi |
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| Cracked Up |
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| Crawl |
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| Cunningham |
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| Cyrano, My Love |
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| Dabangg 3 |
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| Damascus Cover |
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| Dark Place, A |
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| Dawn Wall, The |
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| Day Shall Come, The |
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| Dead Center, The |
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| Dead Don't Die, The |
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| Death of Dick Long, The |
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| Depraved |
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| Detective Dee: The Four Heavenly Kings |
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| Detour |
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| Divine Fury, The |
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| Dolittle |
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| Downhill |
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| Dream Horse |
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| ECCO |
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| Edie |
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| Elephant Sitting Still, An |
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| Emma (2020) |
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| Enter the Fat Dragon (2020) |
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| Everybody's Everything |
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| Fanatic, The |
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| Fantastic Fungi |
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| Fantastic Woman, A |
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| Fantasy Island |
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| Fiddler: A Miracle of Miracles |
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| First Lady |
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| First Man |
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| Freaks (2019) |
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| Friedkin Uncut |
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| Game Changers, The |
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| GameChangers |
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| Gangster, the Cop, the Devil, The |
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| Gentlemen, The |
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| German Youth, A (2019) |
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| Ghost Fleet |
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| Gift |
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| Give Me Liberty |
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| God Bless the Broken Road |
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| Godard Mon Amour |
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| Goldie |
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| Gosnell |
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| Greener Grass |
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| Gretel and Hansel |
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| Ground Beneath My Feet, The |
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| Heavy Trip |
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| High Flying Bird |
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| High Strung Free Dance |
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| Honey Boy |
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| Honeyland |
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| Hostiles |
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| Hot Summer Nights |
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| Hotel by the River |
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| Housefull 4 |
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| How Long Will I Love U |
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| Hunt, The (2019) |
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| I Am Not a Witch |
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| I Was at Home, But |
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| Immortal Hero |
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| Impractical Jokers: The Movie |
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| In Fabric |
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| In The Aisles |
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| Inside Game |
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| Interview with God, An |
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| Island, The (2018) |
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| Isn't It Romantic |
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| Jay Myself |
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| Jexi |
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| Just Mercy |
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| Kid, The (2019) |
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| Killerman |
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| Kingmaker, The |
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| L.A. Minute, An |
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| La Familia |
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| Landline |
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| Las Pildoras De Mi Novio (My Boyfriend's Meds) |
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| Last Black Man in San Francisco, The |
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| Last Whistle, The |
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| Late Night |
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| Legend of Deification |
rate me! |
| Leo Da Vinci: Mission Mona Lisa |
rate me! |
| Les Miserables (2019) |
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| Liam: As It Was |
rate me! |
| Lighthouse, The |
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| Like a Boss |
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| Little Joe (2019) |
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| Little Mermaid, The (2018) |
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| Liyana |
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| Lodge, The |
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| Loopers: The Caddie's Long Walk |
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| Low Tide |
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| Low, Low |
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| Lucy in the Sky |
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| Ma |
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| Making Waves: The Art of Cinematic Sound |
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| Malang |
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| Man Standing Next, The |
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| Man Who Killed Don Quixote, The |
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| Mardaani 2 |
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| MDMA |
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| Memoir of War |
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| Memory: The Origins of Alien |
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| MFA |
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| Midnight Traveler |
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| Minding the Gap |
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| Monos |
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| Monrovia, Indiana |
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| Moonlight Sonata: Deafness in Three Movements |
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| Most Beautiful Island |
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| Mr. Toilet: The World's #2 Man |
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| Ms. Purple |
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| My Son (2019) |
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| Nancy |
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| Narcissister Organ Player |
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| Ne Zha |
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| Nico, 1988 |
rate me! |
| No Postage Necessary |
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| Nobody's Fool (2018) |
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| Ode to Joy |
rate me! |
| Olympic Dreams |
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| Once Were Brothers: Robbie Robertson and The Band |
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| Only Cloud Knows |
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| Ordinary Love |
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| Other Side of Heaven 2, The: Fire of Faith |
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| Outlaw King |
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| Over the Limit |
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| Papi Chulo |
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| Paradise Hills |
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| Penguins |
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| People's Republic of Desire |
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| Peterloo |
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| Photograph |
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| Photograph, The |
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| Piranhas |
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| Pokemon Detective Pikachu |
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| Portal, The |
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| Portrait of a Lady on Fire |
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| Premature (2020) |
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| Professor and the Madman, The |
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| Prospect |
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| Quiet One, The |
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| Race 3 |
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| Rapid Response |
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| Report, The |
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| Rhythm Section |
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| Ride Your Wave |
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| Riot Act, The |
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| River Runs Red |
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| Roma (2018) |
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| Rosie |
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| Round of Your Life |
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| Running for Grace |
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| Saaho |
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| Scandalous: The True Story of the National Enquirer |
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| Scarred Hearts |
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| School of Life |
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| Science Fair |
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| Screwball |
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| Seberg |
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| See You Soon |
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| Serendipity (2019 |
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| Shadow |
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| She's Missing |
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| Sheep Without a Shepherd |
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| Shine (2018) |
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| Shooting the Mafia |
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| Silence of Others, The |
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| Snow Queen 3: Fire and Ice |
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| Sonic the Hedgehog |
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| Soorma |
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| Sorry Angel |
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| Sound of Silence |
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| Spy Intervention |
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| Standing Up, Falling Down |
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| Storm Boy |
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| Straight into a Storm |
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| Student of the Year 2 |
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| Summer of '84 |
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| Sunset (2019) |
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| Suspiria (2018) |
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| Swinging Safari |
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| Sword of Trust |
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| Tattoo Uprising |
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| Teefa in Trouble |
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| Tel Aviv on Fire |
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| This One's For The Ladies |
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| Three Peaks |
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| Tigers Are Not Afraid |
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| Times of Bill Cunningham, The |
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| TINY: The Life of Erin Blackwell |
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| Tito and the Birds |
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| Tod@s Caen |
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| Toni Morrison: The Pieces I Am |
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| Traitor, The |
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| Trespassers |
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| Turning, The (2020) |
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| Uncut Gems |
rate me! |
| Under the Eiffel Tower |
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| Underwater |
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| Unplanned |
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| Venom (2018) |
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| VHYes |
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| Vigilante, A |
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| Villains |
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| Vita & Virginia |
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| Waiting for Anya |
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| Walking on Water |
rate me! |
| Warrior Queen of Jhansi, The |
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| Wave, The (2020) |
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| We the Animals |
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| Weathering With You |
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| Whale of a Tale, A |
rate me! |
| Wild Nights With Emily |
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| Woman Walks Ahead |
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| Won't You Be My Neighbor? |
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| Wonder Park |
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| Wrinkles the Clown |
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| Yardie |
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| Zero (2018) |
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| Zeroville |
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| BLOOD QUANTUM |
"A new-enough twist on the zombie apocalypse."
Jay Seaver says... "SCREENED AT BOSTON SCI-FI FILM FESTIVAL 45: "Blood Quantum" feels less like a movie than what you'd get if you took the pilot to a television series about the zombie apocalypse and edited it together with the first-season finale, and even if it was a good show, that probably wouldn't be the best way to experience it, at least the first time around. There's a big hole in the middle that can't be filled, and just a general feeling that you can't make the story mean something if you don't tell the whole thing from beginning to end." (more)
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| TREAD |
"It's hard to look away from a man angry enough to build a tank."
Jay Seaver says... "How many people are going to get to see "Tread" in a theater with an audience? Probably not many, but the reaction is an interesting phenomenon to watch, as people who had spent the previous hour growing more horrified by the paranoia and rage that lead to a rampage find themselves laughing or showing a tight sort of grin as the film hits its climax and the aggrieved subject starts going to town with a customized bulldozer. Are we just wired to respond to people taking creative action, the audacious absurdity overriding how toxic it actually is? For better or worse, that impulse makes this movie something that's hard to look away from." (more)
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| PORTRAIT OF A LADY ON FIRE |
"Lookers"
Peter Sobczynski says... "Now that this year’s Oscar derby has come to its blessed conclusion, I suppose that it turned out pretty well for the most part. Sure, the notion of “Jojo Rabbit” getting the Adapted Screenplay award over Greta Gerwig’s brilliant take on “Little Women” was deeply embarrassing and I suspect that the collective delusion that Joaquin Phoenix actually won his Best Actor prize for “Walk the Line” or “The Master” instead of his hammy turn in “Joker” has already begun. For the most part, however, things went pretty well and the unexpected triumph of “Parasite” over the late-surging mediocrity of “1917” was a legitimate thrill, especially coming from the same body that awarded Best Picture to the likes of “Green Book” only one year before. However, there is one embarrassment that may indeed raise eyebrows in the future and it is the fact that “Portrait of a Lady on Fire,” the rapturous romance from French filmmaker Celine Sciamma, failed to receive even a single nomination, let alone an award. From a purely analytical standpoint, this shutout is somewhat understandable—France, in a deeply questionable move, elected to put forth the immensely forgettable “Les Miserables” for the International Film Oscar instead of it and its American distributor, essentially decided to put all of its eggs into backing its other horse of the season, which just happened to be “Parasite.” If there is a consolation to all this, it is that long after all the Oscar derby details have faded from memory, viewers will still avidly be watching it and swooning over its emotional impact." (more)
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| LONG WALK, THE (2019) |
"A man should listen to his ghosts, even when they don't speak."
Jay Seaver says... "SCREENED AT BOSTON SCI-FI FILM FESTIVAL 45: A fair amount of people might think "The Long Walk" takes too much time to get to the good stuff, as the really tricky genre material doesn't show up until halfway through. It's a fair critique if that's all you want from the movie, but it's a rich experience getting there." (more)
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