Jamie Kennedy's favorite movie review site
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Awesome: 22.22%
Worth A Look: 11.11%
Just Average66.67%
Pretty Crappy: 0%
Sucks: 0%

1 review, 3 user ratings

Latest Reviews

Taking of Tiger Mountain, The by Jay Seaver

Trip to Greece, The by Peter Sobczynski

Night God by Jay Seaver

Alice (2019) by Jay Seaver

On a Magical Night (Chambre 212) by Jay Seaver

Driveways by Jay Seaver

Free Country by Jay Seaver

Deluge by Jay Seaver

Model Shop by Jay Seaver

Thousand Pieces of Gold by Jay Seaver

subscribe to this feed

Day of the Triffids, The
[AllPosters.com] Buy posters from this movie
by Mel Valentin

"Get your one-stop, post-apocalyptic sci-fi/horror right here."
3 stars

"The Day of the Triffids," a post-apocalyptic, science fiction/horror film involving man-eating, ambulatory plants (the “Triffids” of the title) and based on a novel by John Wyndham ("The Midwich Cuckoos," "Chrysalis"), was, once, long ago, a Saturday morning or Saturday evening programming staple. Adapted by a blacklisted Bernard Gordon (producer Philip Yordan received credit for the screenplay), directed by little-known Steve Sekely and an uncredited Freddie Francis, and released in 1963 in the United States, "The Day of the Triffids" is deeply, maybe even irredeemably flawed, but nonetheless oddly entertaining, especially if you happen to feel nostalgic for early 60s' science-fiction/horror.

Here's the backstory for The Day of the Triffids: some unspecified amount of time after spores land from outer space and take root on earth as man- and woman-eating Triffids, a colorful meteor shower blinds anyone who looked at it (i.e., most of the world's population, apparently). The “lucky” survivors who didn't lose their sight find themselves in a post-apocalyptic nightmare. One such survivor, Bill Masen (Howard Keel), an American seaman recovering from an eye operation in a British hospital, awakens the morning after the meteor shower to a desolate ransacked, hospital. After removing the bandages covering his eyes, Masen heads for his ship, only to discover blind, lost Londoners. At a train station, he meets another sighted survivor, Susan (Janina Faye), a young orphan girl running away from a boarding school. After hearing a radio broadcast promising a safe haven in a French army base, they decide to head for France.

In France, they discover more of the same: civilization at a complete standstill, the blind literally leading the blind, and the Triffids preying on the blind for food. At a chateau, Masen and Susan meet three other sighted survivors, Christine Durrant (Nicole Maurey) and Mr. and Miss Coker (Mervyn Johns and Alison Leggatt). Christine and the Cokers keep the chateau running as a sanctuary for the blind. Susan befriends a blind woman, Bettina (Carole Ann Ford). More a pragmatist than an idealist, Masen suggests that he, Susan, Christine, and the Cokers leave the chateau and France for Spain, where, perhaps, rescue awaits. Christine balks, refusing to leave her friends and acquaintances behind, but the arrival of a van full of well-armed convicts and an army of hungry Triffids, convinces Christine to change her mind.

The Triffids, like the hordes of the undead found in George A. Romero’s Living Dead series, are less a threat to the survivors than the survivors are to each other. Both Wyndham and Romero (who was likely influenced by The Day of the Triffids) were more interested in how world-changing events, in turn, change the survivors and in what a new society would look like under radically different social arrangements. Unfortunately, the screenwriter, Bernard Gordon seems to have had little interest in exploring these ideas. Realizing as much (and hoping to pad out the running time), producer Philip Yordan hired Freddie Francis, to direct an entirely new subplot involving Tom Goodwin (Kieron Moore), a marine biologist and his wife, Karen (Janette Scott), stranded in a lighthouse while the Triffids grow and reproduce outside their doors.

Nostalgia aside, "The Day of the Triffids" doesn’t really work as a standalone film (the faithful BBC adaptation made in 1981 fares better). In fitful parts, though, it does, particularly in the early scene of a strangely empty London (echoed, years later, in "28 Days Later"), a later scene involving train station crowded with the newly blind, a disturbing scene set aboard an airplane where even the pilots have been blinded, and a later scene of Triffids surrounding a country estate on every side. The visual effects, such as they are, aren’t particularly impressive, not by today’s standards (they probably weren’t back in 1962 either). The Triffids aren’t scary, at least not on film, especially considering how clumsily they move. When you place yourself in the position of the blind characters, however, they’re terrifying. If that sounds like "The Day of the Triffids" is ripe for a remake, it’s because it is (or should be). The only real question is whether whomever remakes "The Day of the Triffids" can give the remake contemporary resonance without diluting Wyndham’s thematic preoccupations.

link directly to this review at https://www.hollywoodbitchslap.com/review.php?movie=17765&reviewer=402
originally posted: 07/31/08 05:59:54
[printer] printer-friendly format  

User Comments

10/30/11 Terrianne Machin one of the scariest movies I have ever seen 5 stars
11/07/08 Dr.Lao Took a lot of lioberties with the book, but still very enjoyable 4 stars
10/26/08 jeff alecksen Watched this as a kid and scared the pants off me. I've watched about 20 times 5 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  27-Apr-1963 (NR)
  DVD: 11-Feb-2003

  01-Jul-1962 (15)

  N/A (PG)

Directed by
  Steve Sekely

Written by
  Bernard Gordon

  Howard Keel
  Nicole Maurey
  Janette Scott
  Kieron Moore
  Mervyn Johns
  Ewan Roberts

Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Privacy Policy | | HBS Inc. |   
All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast