Jamie Kennedy's favorite movie review site
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Awesome: 24.39%
Worth A Look51.22%
Just Average: 21.95%
Pretty Crappy: 2.44%
Sucks: 0%

5 reviews, 11 user ratings

Latest Reviews

Emma (2020) by Peter Sobczynski

Call of the Wild, The (2019) by Jay Seaver

Blood Quantum by Jay Seaver

I Am REN by Jay Seaver

Tread by Jay Seaver

Dead Dicks by Jay Seaver

Ford v Ferrari by Rob Gonsalves

Portrait of a Lady on Fire by Peter Sobczynski

Long Walk, The (2019) by Jay Seaver

Ride Your Wave by Jay Seaver

subscribe to this feed

21 Jump Street
[AllPosters.com] Buy posters from this movie
by Mel Valentin

"The next great action-comedy dynamic duo? Apparently so."
4 stars

If a random stranger (as opposed to a non-random stranger) stopped you in the middle of a crosswalk and told you that "21 Jump Street," the late '80s TV series that brought Johnny Depp to millions of viewers every week, was making its way to a big-screen multiplex near you, but not as a straight action-drama, but as an action-comedy co-written and starring Jonah 'Superbad' Hill, non-comedian/dramatic actor Channing Tatum, and directed by Phil Lord and Chris Miller, the duo who wrote and directed "Cloudy with a Chance of Meatballs," you'd be well within your rights (and wits) to expect nothing less than and, perhaps, nothing more, than yet another example of a creatively bankrupt Hollywood studio desperately exploiting a vaguely remembered brand, all in the hopes of cashing in. But if the preceding sentence encapsulated your thoughts and fears, you'd be wrong (not dead wrong, just wrong).

When we first meet Morton Schmidt (Jonah Hill) and Greg Jenko (Channing Tatum), they’re in the last days of their last year in high school. Schmidt, a wannabe Slim Shady, strikes out with the girl of his (wet) dreams. Jenko strikes out academically. Neither makes it to the prom, leaving a huge hole in their individual and collective experiences that the big-screen reimagining is certain to fill in the last half hour. Several years later, they run into each other at the police academy. Wary at first, they become friends out of necessity. Schmidt helps Jenko out with the course work and Jenko helps out Schmidt with physical training. Both graduate, but don’t quite get their hearts’ desire. They’re assigned to duty as bike cops. After a drug bust goes hilariously sideways, their superior officer, Deputy Chief Hardy (Nick Offer man), reassigns them to the “21 Jump Street” undercover operation.

There, Schmidt and Jenko cross paths with other soon-to-be-undercover-cops and their new superior officer, Captain Dickson (Ice Cube, perpetually constipated). A new drug, “H.F.S.” (“Holy F---ing Sh-t”), has led to the death of a high-school student and Dickson wants Schmidt and Jenko to go undercover at his high school, infiltrate the drug dealing operation, and identify the supplier. While Jenko’s excited about reliving his glory days (like many jocks, he peaked in high school), Schmidt’s not. He was a bottom dweller, an outcast. 21 Jump Street’s first stroke of near-genius happens the moment Schmidt and Jenko drive into the high school parking lot: Social castes have totally flipped. Smart, geeky kids are cool and jocks are…well, still jocks. Tolerance and environmentalism are in, and intolerance and selfishness are out (more or less). Jenko’s attempt to impress his fellow students goes awry when he inadvertently punches a gay student.

More hilarity results from yet another role reversal. Jenko’s inability to remember his cover name forces him to take AP Chemistry, a subject for which ignorance truly isn’t bliss. Schmidt ends up in acting class and gets improbably recruited into the track team by an over-zealous coach, Mr. Walters (Rob Riggle). Schmidt meets the new girl of his (wet) dreams, Molly Tracey (Brie Larson), who just happens to be street legal, and her on-again, off-again boyfriend, Eric Molson (Dave Franco), who may or may not be the lead they need to find the source of H.F.S.

To say more would be to spoil the many comic pleasures 21 Jump Street packs into its 104-minute running time, but playing out going back to high school not as a never-ending nightmare, but as pure wish-fulfillment fantasy, gives 21 Jump Street all the impetus it needs to keep the mix of jokes and gags flowing evenly. A major set piece involving a problem all undercover cops inevitably face (at least on film and in television) proves to be one peak among many (valleys are few and far between). Orchestrated with an eye toward greater levels of anarchic absurdity by first-time live-action directors Phil Lord and Chris Miller (Cloudy with a Chance of Meatballs), the scene in question must be seen to be disbelieved for its inventiveness and for Hill and Tatum’s willingness to go as far as the material and Lord and Miller will take them (and maybe even beyond).

Over the last five years, we’ve learned to expect expert comic timing from Jonah Hill (from "Superbad' to "Moneyball" last year), but the same couldn’t (and can’t) be said for Channing Tatum. For better or for worse (often, if not exclusively, the latter), Tatum’s made a name for himself through dramatic roles, including last month’s "The Vow." What moviegoers didn’t know, however, was Tatum’s talent or skill (or lack thereof) on the other side of the drama/comedy ledger. If "21 Jump Street" is any indication, and it most likely is, Tatum can, indeed, handle comedy, especially when he’s working with a strong comedic presence like Hill. Together, they have that all-important, difficult-to-define, chemistry, playing off each other’s personas and characters, but they also take it beyond that, giving their respective characters emotionally vulnerable inner lives (yes, that read that), making "21 Jump Street" more than just a pleasant, unexpected surprise this weekend and next. It may just be an action-comedy to revisit and revisit, at least until the expected sequel hits next year or, more likely, the year after.

link directly to this review at https://www.hollywoodbitchslap.com/review.php?movie=20345&reviewer=402
originally posted: 03/16/12 02:33:55
[printer] printer-friendly format  
TV to Screen: For more in the TV to Screen series, click here.
OFFICIAL SELECTION: 2012 South By Southwest Film Festival For more in the 2012 South By Southwest Film Festival series, click here.

User Comments

9/13/17 morris campbell very funny 4 stars
10/03/13 Trisha Wirt Love this! hilarious 5 stars
5/03/13 Charles Tatum Passable time filler, often scores some big laughs 4 stars
6/30/12 The Taitor Funnier than expected, worth a rental at best 3 stars
6/24/12 action movie fan fun rauncjy r rated comedy 3 stars
5/01/12 Eric Zimmerman on the same level as Superbad 5 stars
4/01/12 M Funny in parts .. overall silly 2 stars
3/22/12 Justin Venter I found this film very interesting. Good Review 5 stars
3/21/12 bert kaplan Dumb & silly but funny 3 stars
3/20/12 Luis Loved this move! 4 stars
3/18/12 Dan friggin hillarious movie, first movie with Channing Tatum in it I actually enjoyed 5 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  16-Mar-2012 (R)
  DVD: 26-Jun-2012


  DVD: 26-Jun-2012

Directed by
  Phil Lord
  Christopher Miller

Written by
  Phil Lord
  Christopher Miller

  Jonah Hill
  Channing Tatum
  Ice Cube
  Brie Larson
  Rob Riggle

Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Privacy Policy | | HBS Inc. |   
All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast