Jamie Kennedy's favorite movie review site
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
4.12

Awesome52.94%
Worth A Look: 5.88%
Just Average: 41.18%
Pretty Crappy: 0%
Sucks: 0%

2 reviews, 5 user ratings


Latest Reviews

Frozen 2 by Peter Sobczynski

Beautiful Day in the Neighborhood, A by Peter Sobczynski

Waves (2019) by Peter Sobczynski

Kingmaker, The by Jay Seaver

Doctor Sleep by Jay Seaver

Ford v Ferrari by Peter Sobczynski

Marriage Story by Peter Sobczynski

Better Days by Jay Seaver

Scandalous: The True Story of the National Enquirer by Rob Gonsalves

Paradise Hills by Rob Gonsalves

subscribe to this feed


Midsommar
[AllPosters.com] Buy posters from this movie
by Rob Gonsalves

"One hell of a quantum leap from Aster's debut."
5 stars

Whether it was curiosity or masochism that led me to 'Midsommar,' the second feature by Ari Aster, I’m grateful to whichever it was.

I more or less hated Aster’s debut, the high-pitched horror Hereditary, but this one’s the real deal — it sets a brittle but menacing tone early on and sustains it for well north of two hours. Midsommar feels like a hard shot from the source of terror — an allusive work of art, admittedly built out of earlier art. It will be (already has been) debated and discussed in perpetuity, and it’s the sort of film as comfortable on the front cover of Fangoria magazine as it will be as an eventual spine number in the Criterion Collection. When you hear Martin Scorsese or someone else going on about cinema, Midsommar is what they mean. It doesn’t just shock or spook. It unsettles.

The set-up is almost comically thorough and bleak. The leads, Dani (Florence Pugh) and Christian (Jack Reynor), are in a relationship that looks to be circling the drain. Something traumatic happens that makes sure they stay together (thinking back on it now, I wonder who or what is ultimately responsible for the tragedy), and they find themselves accompanying a friend back to his home turf in Sweden, specifically a remote commune where dwell an ancient band of pagans called the Hårga. The Hårga are awfully sunny and polite and friendly, and if we’ve seen more than one movie before we mistrust them on sight. But as directors as disparate as Robin Hardy (The Wicker Man) and Ruggero Deodato (Cannibal Holocaust) knew, the horror doesn’t only lie in the “foreigners” our onscreen avatars find themselves among; it’s also in how “we” change, or don’t, in relation to them or in response to them.

It is true that Midsommar gets a couple of mean creepy moments out of a disfigured boy, the result of inbreeding in the Hårga clan, but he doesn’t do anything bad — he’s elevated as an oracle in the society. Besides, Aster has louder and wetter disturbances in store. I should probably say that the reported level of violence and perversity in Midsommar — likely from viewers who don’t see many horror movies — has been overstated. When it comes, though, it’s a sharp jab in the chops, all the more ghastly for unfolding in broad, shadowless daylight. At certain points some of the characters take psychedelic drugs, which in the world of the Hårga is really gilding the lily. Pugh and Reynor add a prickly, precarious vibe to the festivities; they’re neither good nor bad but realistically flawed, and they don’t always act nobly or wisely.

If we “liked” any of the protagonists in a simplistic manner, it’d be harder to see what Aster is truly going for. At many points, we have a god’s-eye vantage point on the action; the script keeps us in the dark about the Hårga and their motives, while the filmmaking (cinematographer Pawel Pogorzelski deserves awards) is all blue skies and open air. The camera eye is neutral, showing us the primal, alien rituals without editorializing. Even the Dani’s-eye, psilocybin-soaked visions are like, hmm, that’s odd. (There’s actually a character named Father Odd.) At one point the outsiders loudly berate the Hårga for “just watching” as gore makes rainbows in the sunny air. We agree, yet we’re also just watching, and this is what we came to watch, whether or not we knew it.

Midsommar is an immersive and illogical experience. There’s a director’s cut, for now available exclusively from Apple, that runs 171 minutes and fleshes out more of the relationship between Dani and Christian. It’s not necessary, though, for us to see ourselves in them or vice versa. We identify with the outsiders only sporadically (especially not the idiot who accidentally micturates on a sacred dead tree), and the minds of the Hårga are as obscure to us as the mind of a spider. Ari Aster has a distinct voice — he seems to take for granted that people are invariably going to be difficult and self-defeating — though maybe not the most steady control of his effects yet. There are still, as in Hereditary, a few too many moments wherein we’re not sure if we should laugh, or whether Aster means us to laugh. Consistency may never be his strong suit. But he has delivered, in this cult epic, a powerfully paranoid mood piece.

Time will tell whether Aster can function without hellish covens and nightmarish attempts to re-assert gender primitivism, but I’m certainly ready to tag along with him and find out.

link directly to this review at https://www.hollywoodbitchslap.com/review.php?movie=32669&reviewer=416
originally posted: 10/17/19 14:03:14
[printer] printer-friendly format  

User Comments

10/24/19 lrmoore Loved 'Hereditary' & 'Midsommar' equally impressed; love horror w/ subtext & tension 5 stars
9/02/19 Louise (the real one) Incredibly well-made, very creepy & sometimes shocking. Impressive! 5 stars
8/07/19 damalc Creepy, but gratuitous and unintentionally funny at times. Not as good as "Hereditary." 3 stars
7/08/19 Bob Dog Authentically creepy constructed world - - a horror movie for the intelligent horror fan. 4 stars
7/03/19 Bob Dog A stunning masterpiece of pure cinematic genius, quite astounding. 5 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  03-Jul-2019 (R)
  DVD: 08-Oct-2019

UK
  N/A

Australia
  03-Jul-2019
  DVD: 08-Oct-2019




Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Privacy Policy | | HBS Inc. |   
All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast