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King Richard
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by Rob Gonsalves

"Will power."
4 stars

You may be forgiven, watching "King Richard," for wondering what exactly Richard Williams’ deal was. Was he a prophet or a damned lucky delusional?

As tennis fans know, Williams is the father of Venus and Serena Williams, two of the greatest tennis players of all time. As the legend goes, Richard planned — literally, a 78-page plan — a future in tennis glory for his daughters before they were even born. He got this notion when he caught Virginia Ruzici on TV winning a tournament. If Ruzici won a lot of money doing this, Richard reasoned, think how much two girls could win. Richard didn’t know anything about tennis, but he learned, and he taught his daughters.

Now, what possessed this man to predict that his Black daughters could dominate a theretofore blindingly-white sport, and that they would both be born with the athletic genius to do so? Did Richard receive a nighttime whispered message from a herald? Further, in King Richard, once Richard gets his girls on the right track, he consistently goes against the grain of everything he’s advised to do. The girls’ coach says they need to start playing in the Juniors? No, Richard says, they’re not ready yet. Nike offers a $3 million endorsement deal? Well, Richard says, we’re gonna hold off. Richard gambles a frightening amount on his instincts, on his sense that he’s right. (We might catch a bit of subtext that Richard, who grew up in hard times abused by racists, is wary of all the received wisdom that comes from white faces — well-meaning, but white.)

Will Smith plays Richard as a batch of conflicting signals — sometimes cramped and cynical, sometimes carried along by his dreams. People, including his wife Oracene (Aunjanue Ellis), keep telling Richard he’s heading for a fall, cruising for a bruising. But he has no fear of failure; he seems to fear regret. He doesn’t want to look back and mourn the risks he didn’t take, the money he left on the table. Smith finds something fiery in Richard’s center; the man’s entire being and sense of self are tied up in being vindicated. Through his daughters’ triumphs, the world will tell Richard Williams that he was right. Richard pisses off one elite coach (Tony Goldwyn) and moves on to another (Jon Bernthal, in the funniest performance) and pisses him off. Nobody has seen things done the way Richard wants them done. This guy is nuts. And yet the world keeps sustaining his vision. Smith uses his star charisma — which makes the audience lean towards him — to make Richard seem nourished by everyone else’s doubt. All the film’s energy is directed towards Smith; it’s Richard’s story, not Venus or Serena’s.

Richard is an odd man to hold the center of a film that also boasts, somewhere off to the side, two lightning bolts like Venus and Serena. The story Richard tells about himself (and which this movie co-signs) has a Biblical whiff about it: God tells Richard (or Noah, or whoever) that this thing is going to happen, must happen, and you’ve got to prepare for it. The Richard of this movie (truly I know little of the man aside from what Smith, director Reinaldo Marcus Green, and writer Zach Baylin give us) is a prickly, flawed, arrogant, possibly great man whose character goes somewhat unresolved, our questions unanswered. And it’s not that the movie is trying to be the sportsball equivalent of Last Year at Marienbad or anything; it just recognizes there’s more to him, to anyone, than even two hours and twenty-five minutes can capture.

Alas, this male’s vision is mightily supported by a woman (Aunjanue Ellis comes through with a loving, sensible turn that even in moments of quiet watchfulness is the film’s moral compass) and by, of course, two girls. If not for them, there’d be no him. King Richard plays us out with Beyoncé’s “Be Alive,” which is about Venus and Serena: “We fought and built this on our own.”

True enough. But the movie needs Richard’s righteous self-regard; it would be too close to a standard sports biopic without it. All the familiar beats are there, the advances and seeming setbacks, leading up to the big game with the whole universe hanging on it, and … well, you’ve seen sports films before. But maybe you haven’t seen Richard before.

link directly to this review at https://www.hollywoodbitchslap.com/review.php?movie=34640&reviewer=416
originally posted: 11/27/21 11:26:07
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OFFICIAL SELECTION: 2021 London Film Festival For more in the 2021 London Film Festival series, click here.
OFFICIAL SELECTION:2021 Telluride Film Festival For more in the 2021 Telluride Film Festival series, click here.
OFFICIAL SELECTION: 2021 Chicago International Film Festival For more in the 2021 Chicago International Film Festival series, click here.

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